Chris Kasper + The Lawsuits w/ Chelsea Mitchell and Sun Parade at Underground Arts
Saturday, November 11th, 2017
21+ | Doors: 8PM | 9PM
∫∫∫ Chris Kasper ∫∫∫
Chris Kasper is an American songwriter with a style rooted in folk, rock and blues. His music has been compared to everything from Paul Simon to Beck, and draws on inspiration from musical greats such as Bill Withers and Levon Helm. With years of playing under his belt, Chris’s unique storytelling and lush arrangements, combined with his studio artistry, set him apart as a standout artist of this generation.
∫∫∫ The Lawsuits ∫∫∫
For years, Philadelphia's The Lawsuits have been known for a sound that cannot be pigeonholed into one genre. There is something to be said about a band that has been creating music together as long as The Lawsuits have. With that longevity comes a sort of comfort and understanding for both themselves, and the listener. «Moon Son», the band's second full length release, and Randm Records debut, showcases years of blending each other's influences and sounds to create something wholly their own. They have spent their music careers up to this point dipping their toes in multiple sounds and styles to create this very identity. With a nostalgic nod to the greats of the past and a dash of modern productions and self-awareness, laced with sweeping harmonies: this is The Lawsuits.
Formed after songwriter Brian Dale Allen Strouse was introduced to vocalist Vanessa Winters & bassist Brendan Cunningham through a mutual friend, The Lawsuits then recruited fellow Temple alum, drummer Josh Friedman. Their 2013 release, 'Cool Cool Cool', was produced by Bill Moriarty (Dr. Dog, Man Man), and garnered attention from outlets such as Rolling Stone, Spin, Paste & Philadelphia’s WXPN. The album's first single, 'Onion', was chosen as #22 of Daytrotter's 300 Best Songs of 2013.
∫∫∫ Sun Parade ∫∫∫
Chris Marlon Jennings grew up in Northampton, Massachusetts, busking on the streets. He met Jeff Lewis when they were high schoolers on summer vacation at a tribal gathering of old friends and families in Maine. Lewis, a mandolin player and islander, was due at Berklee College of Music on scholarship. After a semester in Boston, he moved to Western Mass to work with Jennings. That collaboration is the core of Sun Parade.
Jennings writes by and large in the language of existential howl, wherein life, love and the pursuit of happiness are a highway pile-up with the distinct possibility of dancing. Lewis spins ethereal, psychedelic glowing pop benevolence, songs sung into an old Fostex recorder and sent out into the world in strands of metaphysic werewolves and sunshine. The dichotomy between the two writers builds an outliers’ love fest, a condition Oscar Wilde once described as living in the gutter with stardust falling on us.
Over time Jennings and Lewis built the five-piece that is Sun Parade, with Karl Helander on drums, percussion, harmonies and ambient barking. [Helander is a powerhouse ideas force — the riffing at the end of “Tear” and the astral vocal descents in “Braindrain” were a couple of his contributions to the album.] Max Wareham (bass) and Eli Salus-Kleiner (keyboard) joined Sun Parade after Shuggy Mtn Breakdown was recorded.
Sun Parade's personal obsessions and projects range from British folk ballads to Motown; collectively their music is most influenced by the mutineers’ pantheon — The Clash, Beastie Boys, Dr. Dog, Nirvana, The Beatles. Sun Parade has supported Lake Street Dive, Dr. Dog, Born Ruffians, and And The Kids. National Public Radio picked “Heart’s Out” — the title track of the band’s previous EP — for Songs We Love, and wrote that Sun Parade is “crafting the kinds of traditional guitar-pop songs that people might still be singing 50 years down the road.”
∫∫∫ Dirty Dollhouse ∫∫∫
Dirty Dollhouse is the retro/folk/pop music of singer-songwriter Chelsea Mitchell with accompaniment by a rotating cast of Philly's best and brightest. The group's signature sound comes from century-spanning influences, confessional lyrics, and layers of harmony.
«Singer songwriter seems too generic a label for show starter Chelsea Mitchell, but her vocals deserve more spotlight than simply deeming her folk. Instantly, with the help of backing singers Amber Twait and Vanessa Winters (her sisters in Dirty Dollhouse), the room was gracefully filled with lived-in harmonies, a compliment to her earnest a Capella peaks.» — Alexandra Fletcher, Tri State Indie.