The GET FREE Tour
Silverstein & Tonight Alive with Broadside, Picturesque & Civil Youth at Union Transfer
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Longevity is a rare feat for any band, especially one rooted in a foundation of punk and hardcore. Aggressive music is often fueled by youthful fire, and sustaining a career without completely abandoning that urgent sound is almost impossible for most bands. But what’s possible for «most bands” has never been a concern for post-hardcore pioneers Silverstein. Throughout the course of their 17-year career, from Ontario basement shows to touring the world and selling over a million records, Silverstein has always managed to be completely comfortable in their own skin while never being afraid to challenge themselves. This perfect balance marks the band’s eighth full-length, Dead Reflection—an album that proves Silverstein still has plenty of fire left.
Silverstein have released an album every odd year since their 2003 debut, When Broken Is Easily Fixed, and that drive is paramount to why the band remains one of post-hardcore’s most relevant and influential acts. This consistency shows an uncommonly clear path of growth from album to album as the band honed the aggressive-to-melodic contrast that became their signature sound. Dead Reflection marks a sharp jump in that evolution: the band pushed themselves harder than ever before, resulting in an album the takes all of Silverstein's strengths—pummeling riffs, explosive dynamic shifts, and huge, anthemic choruses—and ramps up the intensity. Guitarist Paul Marc Rousseau co-produced Dead Reflection with Derek Hoffman, leading to a level of collaboration with which band had never experimented before. After years of creating and touring, the members of Silverstein have each become accomplished musicians in their own right while still summoning the same unbridled ferocity that marked the band’s early days, and it’s this fusion that makes Dead Reflection feel so vital.
Vocalist Shane Told has always been a master of taking his darkest times and channeling them into compelling songwriting, and Dead Reflection ups the ante as the singer documents his most troubled year. The tumultuous end of a long relationship sent Told into a self-destructive spiral that left him isolated and forced to confront who he truly was with everything stripped away. All of the positivity that had previously come so easily suddenly felt put-on, like a costume that never quite fit, and as the people closest to him were all entering new phases of life with new responsibilities, the singer found himself feeling more alone and nihilistic than ever. In the end it was Silverstein, the one constant in Told's life, that brought him back from the brink. With the prospect of writing a new album on the horizon, he thew himself into the process, fully exploring the bleak narrative he was living out. Dead Reflection became a sort of “What-if?» version of Told's life, a cautionary tale urging listeners to find out what really matters and challenge their own masks before it's too late. Writing proved to be as cathartic as it was harrowing, and slowly Told began to feel the weight of the past year lifting; Silverstein had been there for him just when he needed it most.
Dead Reflection is an album that couldn't exist without everything that's come before it, a culmination not just of Silverstein's sonic growth, but also the personal journeys entangled in the band’s career. Longevity was never the objective, but that drive to deliver their absolute best, no matter what the cost, is exactly why the band remains at the top of their game after almost two decades. For Silverstein there is no settling, no stopping, and they give nothing less than everything.
Australian vibrations. Conscious rock.
As soon as the majestic opening licks of the album’s lead off track burst onto the speakers, it’s obvious that BROADSIDE are setting bigger and better goals the second time around. An album of boundless energy, Paradise is a culmination of two years’ worth of experiences, sacrifices, and tireless effort, and the end result is a go-for-broke tour de force in pop-tinged punk rock.
Paradise doesn’t completely change direction from the 2015 punchy debut Old Bones, but it shows a remarkable triumph from a band that has rarely left the road since that year. With the line “The sun peeking from the tall palm trees,” the title track ‘Paradise’ sets the personality for a summer sunshine-stained statement. “The whole concept of Paradise is that you should chase that little view of happiness you create in your mind,” explains front-man Ollie Baxxter. “We often put our dreams and desires to the side believing they’re unrealistic, but this record is about building a bridge to reach your goals, your dream, your...Paradise.”
By the summer of 2016, BROADSIDE circled the US multiple times with the likes of State Champs, Roam, and Handguns to name a few, and the demand for their punk-rooted pop anthems escalated, as they were constantly ushered to larger stages during that summers’ Vans Warped Tour. On one particular stop, Baxxter was befriended by a young, hearing impaired fan who had recently gone through ear reconstructive surgery to repair her full hearing. “I met this anxious young woman who was wearing a huge, comforting smile while waiting in line to meet us. She told me that our band was one of the first she had ever heard at full capacity, and that our performance moved her in a way she never felt before, and how lucky she was to have been able to physically hear the set. I couldn't say a word, except to hold her close and cry because it moved in a way that I've never felt. Here stood a girl, no older than my own baby sister, thanking me for performing. I was just doing my job and it was really me who should have thanked her for her strength and courage to share her story. Moments like that are exactly why I write to the youth in our songs. PUSH THROUGH, OVER ANY AND ALL OBSTACLES.”
The former Richmond, VA outfit now calls Los Angeles home, where they teamed up again with New Found Glory & All Time Low producer Kyle Black in January of 2017 to lay down the groundwork for Paradise. “You know what, Kyle Black is a wildman who knows what he is doing, and we were lucky to be able to record another record with him. I hope this record made him proud of us,” admits Baxxter. Immediately following the sessions, BROADSIDE packed their gear and headed to the United Kingdom for an inaugural visit supporting With Confidence, bowling over new fans and taking a well-deserved seat at the table of their peers.
Named Musician Of The Month by Alternative Press in March 2017, guitarist Dorian Cooke’s resilient vocals take the lead on the soulful hymn ‘Laps Around A Picture Frame,’ while ‘Tunnel Vision’ will quickly land as live favorite with its skyscraping vocals. And Paradise doesn’t just have storming tracks, the lofty ‘Who Cares’ beams with the bands inner personalities of turning a bad situation into quick witted humor, while the balance between Baxxter and Cooke’s vocals on ‘Summer Stained’ is damn near perfect. BROADSIDE expand their sound into unheard punk turf incorporating trumpet on the first video from the album, ‘Puzzle Pieces,’ and the Morrissey-channeled, ukulele driven, ‘I Love You, I Love You. It’s Disgusting.’ “This record is the sound we have been trying to achieve all of our career, we aren't afraid to try new things and that is apparent with Paradise,” declares guitarist Niles Gregory.
While more dates are being booked as of press time, BROADSIDE will be on tour through 2017 and 2018.
Picturesque will release their long-awaited debut full-length, Back to Beautiful, on July 14 through Equal Vision Records. The band has also just released a new song from the album called “New Face” on all digital retailers. Back to Beautiful was recorded in Los Angeles, CA with producer Erik Ron (Saosin, Panic! At The Disco).
“The title Back to Beautiful is referring to the early days of the band where we had all relocated to Houston and I went through a rough break up. We were engaged, and I thought I had life from there on out figured out, but I didn’t. It hit me hard mentally and physically. I wasn’t my normal self. I wasn’t sleeping enough because I kept having the same nightmares over and over and when I was awake I was lost in my own thoughts of why things were the way they were. I felt like I wasn’t good enough for anyone, I felt like I was a burden on everyone around me because I was in this rut and I was afraid I would drag everyone around me down into it. This feeling lasted until around the time we finished the record. It was as if I had gotten whatever was making me ill out of my system and my entire demeanor began to reflect the change,” reveals vocalist Kyle Hollis.
Picturesque is led by the truly stunning vocal range and power of Hollis – who showcases his most impressive vocal work to date on the newly released track – and is supported by equally notable instrumentations that blend rock, post-hardcore and pop influences. The band has toured and shared stages with the likes of I the Mighty, blessthefall, Like Moths To Flames, Our Last Night, SECRETS, and SYLAR. They will next head out on a short US run with The Color Morale, The Plot In You and Dayseeker.
The band also previously released music videos for “Monstrous Things” and “Speak Softly”. Picturesque is comprised of Kyle Hollis (vocals), Zach Williamson (guitar), Dylan Forrester (guitar) and Jordan MGreenway (bass).
In a world that’s predominately pessimistic and intimidating, we wanted to create a safe haven for ideas, creativity & to escape. As people who survive with the vehicle that is music, we felt obligated to give back and create a soundscape in which to get lost. A place where you can remind yourself what it’s like to dance and be happy. A place where your mental stresses are not allowed. We’re in this together. This is Civil Youth.
1026 Spring Garden St.
Philadelphia, PA, 19123